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It’s Called Presenting, Not Talking Out Loud Page 2
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presentation (the details, to whatever extent
those may be).
• In the end, we have our conclusion – where we
tie everything together (and sometimes also
summarize, depending on the nature of the
presentation). And there are chapters
throughout this book that are dedicated to each.
So come up with a plan. I’l help you organize this
and share some examples but before we do so,
here’s a quick snapshot of how you should look at
this:
Let’s break this out into further detail and I’l help
you organize what goes into each of these three key
areas:
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If you really think about it, while there is probably only one objective to each presentation, there are
several ways (strategy) to do it. And once you’ve
come up with at least more than one strategy, the
ways you can execute also increase.
One further thing (which I have a chapter devoted
to), your audience wil most likely also play a role in
your decision-making.
Think of having to clean a home, top-to-bottom.
Let’s say this is a single-family house, 3-4 bedrooms,
2 baths, living room, dining room, kitchen, and a
basement.
If you need to clean the house because you’re selling
it, perhaps you’l want to hire a professional crew. If
you’re cleaning just for the sake of cleaning, perhaps
you’ll do it yourself.
Here’s an example:
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Now let’s translate this into what it means for a
presentation.
Let’s say that you’l be making a presentation on the
difference between alternating current (AC) and
direct current (DC) to a general audience (non-
technical people).
Here are some ways in which you may organize your
overall presentation:
Option 1:
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Option 2:
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Option 3:
Let’s say we now want to build out a presentation
(with slides) and we’ve landed on a strategy that
doesn’t focus on technical attributes – since again,
we are presenting to a general audience. And since
Options 2 and 3 both don’t focus on the technicals,
we’l use a combination of both to execute.
So let’s construct this with a sample presentation,
coming from Options 2 and 3. Of course, since
presenting is both ART as wel as some science, there
are so many ways to creatively execute your
presentation. This is one of many examples. And this
is not meant to even be “that” good, but sometimes
basic better il ustrates the pedagogy:
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Introduction Slide 1 (BEGINNING): I start with the
“IMAGINE” introduction technique (Chapter 10):
Imagine…(PAUSE)…Imagine living in a world where
there was no electricity, and al you had when the
sun went down was candle power?
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Introduction Slide 2 (BEGINNING):
Think of how different your life would be without the
light bulb. But this isn’t about the light bulb, per se,
– it’s more about imagining your life without
electricity.
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Slide 3 (BEGINNING):
More specificaly, AC/DC – alternating vs direct
current.
Alternating Current
vs.
Direct Current
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Slide 4 (TRANSITION TO MIDDLE):
But to tel you about AC vs. DC, I first need to tel you
about two interesting people. Pioneers of their time.
Thomas Edison and Nikolai Tesla. They were like the
Steve Jobs and Bil Gates of their time. Their stories
are quite fascinating. The saga of AC/DC was riddled
with passion, partnership, politics, scandal, and
eventual loathing for each other. I think the only
thing missing from this tale was sex.
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Slide 5 (MIDDLE):
The difference between AC and DC, for al of us non-
technical people (myself included), think of it like
these il ustrations. DC, or direct current, flows in a
straight line. AC, or alternating current, has an ebb
and flow pattern.
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Slide 6 (MIDDLE):
In DC, you’re carrying electricity, essential y in a
straight line, with generators, to the destination. In
AC, you’re doing something similar, but you’l notice
with the areas circled, there are transformers.
Smal er amounts of electricity are needed from the
source – and can be passed through, and then
converted. In both cases, the total electrical power is
the same.
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Slide 7 (MIDDLE):
But as mentioned, the story of AC and DC is like a
classic soap-opera. Edison took every opportunity he
could, to try and undermine Tesla’s AC model.
Wanting to demonstrate how AC was far more
unsafe to DC, Edison went so far and took advantage
of the electrocution of Topsy the Elephant, claiming
that the suffering of this popular circus elephant was
due to AC.
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Slide 8 (MIDDLE):
But AC is not less safe than DC, and in many cases
safer than DC, since it’s not direct current at the
required voltage. While landlines are going away as
time goes on, the reason why you don’t get
electrocuted when picking up a landline telephone
during lightning and an electrical storm, is due to AC.
And I think we’d al agree, this is a good thing.
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Slide 9 (MIDDLE):
However, DC makes a lot of sense for a variety of
applications when you don’t need electricity traveling
for long distances. Battery chargers are just one of
many examples.
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Slide 10 (TRANSITION TO END):
These two men, once friends and partners and
eventual y bitter foes, were both bril iant for their
contributions and wound up sharing the Nobel Prize.
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Slide 11 (END):
Truth be told, while al passionate people, driven to
success by personal ambition and a desire to change
the world may have conflicting world views, the
world would not be the same if it were NOT for the
important contributions of both Edison and Tesla.
And AC and DC power, as we know it, may not have
existed.
So as I mentioned, there are many ways to put a
presentation together and this is just one, small
example, this should give you an indication of how to
generally organize and structure your presentation.
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CHAPTER THREE | LEARNING
FROM COMEDIANS
I use comedians as a tool when I teach business
communications. Specifically, I use stand-up
comedians because I believe we stand to learn a lot
about audiences by observing successful comedians.
When you think about your favorite comedian, you
/> probably like them more for their style rather than
their jokes. In other words, the content — the joke
— is usually secondary. It’s the delivery of the joke that makes you laugh.
Ever hear a really great friend of yours who you
really like and care about but isn’t funny ruin a
completely great joke? The joke is a great one. But
the “wrong” person is tel ing the joke. So, the
content is secondary. The delivery is what gives it a
great punch line.
Aside from understanding your content when
delivering a presentation, you also have to
determine how to connect with your audience.
Comedians have an instinctual understanding of
their audiences. They need to. It’s a survival skil ; it’s
how they eat! George Carlin, Richard Pryor, Chris
Rock, Dave Chappel e, etc. Your favorite comedian,
whomever they are, living or not, were once starving
artists – literally and figuratively.
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Stand-up comedians have an ability – and
opportunity and necessity, in some cases— that even
the most famous actors don’t. Since comedians have
to be so in-tuned with their audience, it’s one of the
only, if not the only, theatrical art form where the
comedian (presenter) has the opportunity to adjust
their style, pitch, tone, etc. in real time, as needed,
based on their read of the audience. That’s pretty
amazing.
In preparing for your next presentation, watch your
favorite comedian on YouTube and see what it is, as
far as a “total package,” makes you laugh. I’m ready
to bet that most of it rests on the delivery. If you
don’t have a favorite, can I make a suggestion?
Watch George Carlin.
When you watch Carlin on stage, observe what he’s
doing. Observe his body language, and how he
masters the skil of connecting with his audience
while remembering his lines. He was a true artist.
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CHAPTER FOUR | AUDIENCE
AND SELF-AWARENESS
Two of the key issues regarding effective
presentations include the ability to understand your
audience and self-awareness.
Before I go into detail, the biggest piece of practical
advice I can give you here is to make sure you never
alienate your audience. Always remember that
within the context of a presentation, you are not the
focus; they are. You work for them, in that moment.
You really do. The extent of your knowledge is not
relevant. If you’re successful, you’l get the credit
you deserve. What you can give your audience
matters, and that wil make all the difference.
This can be tricky, because even if you’re a polished
speaker and you forget your audience, you’l fail. I
guarantee this.
For instance:
• What is the purpose of being an expert on
something if your audience doesn’t absorb the
info you want them to?
• What is the point of trying to give advice to a
room ful of people that won’t be able to use it?
• What is the purpose of being a marketing maven
if you wind up making your presentation pretty
much all about yourself and no one in the
audience takes away anything from your
message?
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SELF-AWARENESS
Being self-aware means that you have a strong sense
of your surroundings, what you can reasonably
understand about your audience, and most
importantly – what you can reasonably assume they
know about you.
To focus on the last point, your title isn’t as
important as you think when you’re addressing an
audience. Whether you’re a CEO, Director, head
coach, politician, teacher, etc., your credibility is only
as good as what people think of you. As you know,
perception is reality.
If you have good credibility, great. If you don’t have
good credibility but also aren’t self-aware of your
situation, you’l most likely have a presentation or
speech that fails.
If you’re suffering from low credibility (for whatever)
reason, you can stil deliver a great presentation.
Just be honest about things. You know the phrase
“the elephant in the room,” so address the elephant.
I find that if you’re candid about what you think the
audience thinks (about you or a situation), your
credibility immediately shoots up. You’ve addressed
the audience’s concern, and they can now relax a
little bit – and actually listen to what you have to say.
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Believe me when I tel you that I’ve seen the
following so many times at the professional and
industry level.
A few years ago, I was excited to go to a presentation
by a very wel -known and respected person in my
industry. Of course, I won’t share her name but
know that she’s a leader in the beauty industry. The
presentation was meant to be about how she started
her business empire, and the event was marketed as
an entrepreneurship/innovation talk.
I hate to tel you how disappointed I was. Al she did
was talk about herself. Ninety-five percent of her
presentation was an autobiography in disguise. I got
nothing out of the evening. I didn’t learn. I wasn’t
inspired. I wasn’t entertained. Nothing. Oh wait,
there was free pizza. Correction, I got a slice of pizza.
My apologies.
In most, if not all cases, when you do a presentation,
make it about them (the audience), not you. Ask
yourself this simple question: What can my audience
get out of this? People not only love to talk about
themselves but also love to hear about themselves.
We love attention.
At one point I worked for a prominent company, one
that I stil have great admiration for. I remember
attending a presentation by a division president who
came from the outside with a bit of cache behind his
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name. He started the presentation by saying “I’m going to talk about my favorite topic…me.” I don’t
think he was joking; he was being serious. How do
you think the audience reacted? Stoned faces and
silence. He then got a little awkward, but he
probably deserved it.
So make it about the audience, not you!
Let me share a basic example of how you can tailor
things to an audience, to give you a sense:
Let’s say you’re doing a presentation on how injected
plastic products are manufactured.
If you’re sharing info to a specific audience, such as a
class of technical students, you may say something
like this (from Wikipedia):
Injection molding is a manufacturing process for
producing parts by injecting molten material into
a mold. Injection molding can be performed with a
host of materials, often polymers. Material for the
part is fed into a heated barrel, mixed (using a h
elical
shaped screw), and injected (forced) into a mold
cavity, where it cools and hardens to the
configuration of the cavity.
Now let’s say you’re doing a presentation to a
general audience about the same thing. You may
want to try something like this (I have a background
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in injection molding so this is my own
interpretation):
So, ever wonder how the plastic parts that you use
every day are made? Anything from a typical pen, to
your remote control, the dashboard in a car, etc.,
etc.?
Plastic starts its life as resin pelets; smal little round bal s. This resin is poured into a hopper where it gets
very hot and semi-melted. From there, it oozes into
what’s cal ed a mold, which is the shape of the actual
product – in two mirror-image parts. As the hot resin
squeezes into the mold, the mold closes with an
intense amount of pressure – remains closed from
anywhere from 5 seconds to a few minutes
(depending on the size and shape of the product) and
then releases. The product then immediately begins
to cool and fal s into an exit chute. And voila!
There’s the outer casing for your remote control.
I think this is suitable for a general audience, as an
intro. And I think it makes the point in an easier way,
and you get more out of it this way.
• I provided some context to bring it to life with
some product examples that most of us are
familiar with.
• I tried to simplify the process without using
too much jargon.